Role Compositor at Eyebolls I joined the team to composite the layers of this beautiful animation work together into something that felt true to the handcrafted, tactile intent behind the design of the artwork. The whole team were deeply focused on ensuring every scene conveyed the right emotion for the moment, and we had a
Role Compositor at Eyebolls I joined the VFX team to bring the heroes in a half shell to life in this turtle-y terrific trailer, blending live action and hand-drawn animation.
Role Compositor at Serious Facilities The team at Serious approached me to help tackle the visual effects for a key sequence in episode one of CBBC’s Gifted. Leading a small team of two other compositors, we delivered close to 100 shots over the course of a few weeks in episode one’s climactic sequence, adding camera
Role Compositor at Creep Midwinter Break is a stirring meditation on faith, commitment, and the enduring power of love, as a longtime couple takes a life-changing trip to Amsterdam. With invisible visual effects, we brought the bleakness of midwinter to Amsterdam as the backdrop against this deeply emotional tale of two people. StarringLesley Manville, Ciarán Hinds
Role VFX Vendor for feature film Learning to Breathe Under Water Writer: Richard BrabinDirector: Rebekah FortuneProducers: Jack Tarling, Patrick O’NeillCo-Producer: Nan Davies Festivals:Great 8 Showcase, Cannes This film is due to be released in 2026
Role Compositor for ScotRail commercials, as part of the team at Creep. Shot in static carriages, my role involved inserting the moving exterior environments on assigned shots, including tracking, roto, keying and compositing.
Role VFX Artist for Sneak Energy commercials, produced by Dabble. The invisible visual effects work on this project involved background cleanup / extension and wire removals. Here’s some examples:
Compositor at Creep on Bad Sisters (Series 2) for Apple TV+. There are currently no further details available for this project, please check back later.
Role VFX for Netflix documentary Undisputed, produced by We Go Again. The filmmakers approached for help with invisible visual effects work involving screen replacements and cleanup. Full trailer below:
Role Lead compositor at The 2D Workshop for BBC One‘s murder mystery adaptation of ‘Murder Is Easy’, produced by Mammoth Screen. We completed a total of around 30 sky replacement shots across the two episode series, creating sky plates from my own photography archive. Most of these involved fine hair, trees and other challenges such
Challenge Bring the creative vision to life with visual effects and rescue a shot from the cutting room floor… Outcome Shot saved! As well delivering a number of logo removals, cleanups and snow scenes. The team at Scotica Film are no strangers to creating beautiful imagery in the wilderness, buteven the best laid plans go
Role Freelance Compositor with Creep for a William Hill Rugby Commercial Sometimes in the pressures of a shoot day things don’t look quite as perfect as you’d like. That’s where invisible visual effects can help, and you’ll never know we were there 👀 In this case, some small cleanups were needed on the badges throughout
Role Freelance Compositor with Creep for season 4 of Netflix’s Emmy & BAFTA winning series Sex Education. Here’s a selection of shots I had a hand in, with a mixture of removals, roto and compositing. Looking for a freelance VFX Artist for your next project? Get in touch
Challenge Bring concepts to life in this experimental short film through the use of visual effects Outcome Multiple shots delivered to the director’s vision, all within the condensed budget of an indie film. This short film has been officially selected for the London Fashion Film Festival, Oxford Shorts 2023 and the Croatia Fashion Film Festival.
Role I delivered over 150 VFX removal shots across this 10 episode series, a key part of which involved removing the rig used to move the car into position on the studio set. This required some creative approaches since the studio had just about everything that works against this kind of visual effects work, all
Challenge Carry out beauty work on the product to ensure clarity of the bottle design throughout the advert. Produced by Scotica Film. Outcome Three shots delivered with careful invisible visual effects work carried out to digitally replace the bottle artwork. I find invisible visual effects work continuously satisfying, it’s the bread and butter of what
Challenge After collaborating with The 2D Workshop on series 13 of Doctor Who in 2021, they invited me back for some visual effects work on the Netflix docu-drama Blood, Sex & Royalty (produced by Nutopia), with the additional challenge of helping them figure out how to integrate into the production’s ACES pipeline. Outcome Intense research
Challenge Remove filming equipment and unwanted objects from a number of shots, as well as some other creative VFX to aid the story – all within just two days! Multi-talented indie filmmaker Shelby Eames approached me with a number of visual effects challenges in her latest project, and a very tight deadline. Luckily, I’m always
Challenge Bring the creative team’s vision to life with a range of visual effects shots for an online campaign Outcome A range of fun visual effects challenges created for a delighted client who were thrilled to see their vision brought to screen The team at IN Productions were totally green to the process of visual
Timey Wimey, Visual Effects-y Challenge Carry out visual effects work for Doctor Who Series 13 Late in 2021 I worked with The 2D Workshop on some of their shots for Doctor Who Series 13, which included some green screen, set extensions and screen replacements. I’ve watched the show since I was a kid, so the
Title Design & VFX Challenge Design a moody, stylish title card and credits for mini-series Hart Strings, and also carry out visual effects work on action sequences involving gunfire. Testimonial Andy was a great collaborative artist to work with. He easily absorbed inspiration, direction and feedback and came back with something wholly unique. He’s very
Making Movie-Magic on a Reality TV Budget Challenge The crew had worked tirelessly to set up this new reality series and find a practical location. With the shoot was only weeks away and lots of work yet to be done, there was a HUGE problem – the location was considered not wild and mountainous enough
